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Seeber contributes to Paul N. J. Ottosson’s Oscar® nominated sound design of “Spiderman 2”.

 

The husband and wife team of singer Cristine Seeber and composer Eckart Seeber were asked to create vocal recordings to be used in the sound design of the this award-nominated soundtrack. The recordings featured many different performance styles ranging from straight ahead classical operatic to  contemporary. Cristine Seeber has been featured on several other movie soundtracks, including the soundtrack to “Bram Stoker’s Shadowbuilder” and “To the Ends of Time.” She has toured North America in many sold-out concert tours featuring the music of Andrew Lloyd Webber, Leonard Bernstein, and the music from many musicals. She is currently performing a tribute program dedicated to the music in films.

Eckart Seeber’s CD “ATLANTIS” reaches the top 10 airplay charts

Eckart Seeber’s CD “ATLANTIS: A Soundtrack to An Ancient Mystery” has recently dwelled on the the top 10 airplay charts of many world-beat radio stations internationally. The CD is based in part on the only surviving musical fragments of ancient Western civilization. By weaving these thematic fragments into contemporary world beat composition, Seeber has given these musical treasures new life as has created an album that truly spans the ages. The CD is available at certain retailers and online at www.sonovide.com

 

Eckart completes music for yet another Disney/Hinkler Books CD-ROM.

Eckart Seeber has composed and produced music for many Disney/Hinkle Books CD-Rom titles. Just recently he completed the music for yet another set of stories to be released on CD-Rom. This time it is a collection of Winnie-the-Pooh stories. The product is due out this summer. Other interactive consumer products that feature the music of Eckart Seeber are Publications International’s Story Reader products available everywhere (Target Stores, Walmart, Costco, etc.)

Seeber completes soundtrack for the film “11:11” by LA filmmaker Esther Peres.

Seeber  completed the soundtrack to the independent short film “11:11.” The style of the score ranges from hip-hop to Latin. To support the theme and technique of the film, Eckart used reversed sounds, inverted melodies and other sound manipulations.

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